This is an IMT project in attitude, form, and function. [It] is not a completed project, our search for hybridity continues to play out in our practice. This book then is an intervention into a practice that is a work in progress; a process of investigation; a not doing theory properly. [A] hybridization of practices, structures, and desires, [...] IMT is nothing pure.
- MARK ROHTMAA-JACKSON Tweet
‘This is not a straight institutional history but a book that grapples with the question of what an art gallery can be in the post-conceptual, post-internet era. The book approaches IMTs horizontal and conversational forms side on from oblique angles, with 20 short chapters each grounded in a particular idea or case study. One its real achievements is that cutting up, assembling, and smudging is something that the author has managed to find a way to textually explore as well as curatorially.’
- VICTORIA HORNE Tweet