TOM CLARK
GUEST-HOST-GUEST
HARRI HARRISON
HEIÐDÍS HÓLM
MARK ROHTMAA-JACKSON
ANNA SEBASTIAN
KRISTINA STALLVIK
SUZANNE TREISTER
6 MARCH - 19 APRIL 2026
CURATED BY LINDSAY FRIEND &
MARK ROHTMAA-JACKSON
IMT Gallery presents The House, an exhibition of works by Tom Clark, Guest-Host-Guest, Harri Harrison, Heiðdís Hólm, Mark Rohtmaa-Jackson, Anna Sebastian, Kristina Stallvik and Suzanne Treister. It features work that all, often through degrees of autobiography, speaks to some of the discordances of being at home: perhaps the anticipation of order amidst the everyday; or an expectation of comfort, often amidst insecurity or tension.
The exhibition is a place where we might live. Often, when visitors come to this gallery, they ask her if she lives here. They ask, “Do you live here?” They ask, “Are these your cats?” I lived here once too. I don’t anymore. This exhibition is about living somewhere. Perhaps it is about reaching for this thing.
In the words of Guest-Host-Guest: ‘Here, the house is a metaphor for assumed belonging. A place we are expected to be ‘resolved’ or ‘satisfied’, even when displacement, precarity, and contested ownership sit just beneath the surface.’
The exhibition is a hand with a mirror in front of it. The mirror reflects some flowers or a field. Behind the hand is a sky. In front of the sky is a blank, featureless wall. All these things at various distances from the camera. A cat; a home; a gallery; a municipality listed on a birth certificate (since burned). The house.
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Image: Anna Sebastian, detail of Esalen (2024), oil on canvas, 100 x 100cm
Suzanne Treister is represented by Annely Juda Fine Art, London, P.P.O.W, New York and The Ryder, Madrid.
Photo by Peter Otto
ANNA SEBASTIAN
Inevitable (2026)
Oil on canvas
150 x 150 cm
HARRI HARRISON
Wand #1 (2025)
Carved heather
28 x 7 x 7 cm
MARK ROHTMAA-JACKSON
Two mountains, a valley, a waterfall, the presence and permission of huldufólkin January 2023, a house of images floated up a fjord in 1912, painted from the balcony in August 2025 (2025)
Oil on canvas
39.6 x 40 cm
SUZANNE TREISTER
TECHNOSHAMANIC SYSTEMS/Rituals/ Earth Eco Systems and Architectures/Lilac
Forest Crystal Lakeside Homestead (2020-21)
Archival giclée print on Hahnemuhle paper
21 x 29.7 cm
Photo by Peter Otto
Photo by Peter Otto
CURATING AT HOME
ONLINE COURSE
WITH DR MARK ROHTMAA-JACKSON
APRIL - MAY 2026
CURATING AT HOME: MAKING PERSONAL SPACES OF CREATIVE AGENCY
ONLINE COURSE WITH DR MARK ROHTMAA-JACKSON APRIL – MAY 2026
Organised to coincide with The House, join us for a four-session online course exploring how we live with art, and how the art we live with shapes the way we live.
Held fortnightly, Curating at Home: Making Personal Spaces of Creative Agency invites you to look closely at the rooms, objects, and artworks that surround you. Drawing on art practices, histories, philosophy, exhibition-making, and practices of everyday attention, we will explore how meaning is shaped through arrangement, context, and the lived rhythms of domestic space.
Led by artist, educator, and curator Dr Mark Rohtmaa-Jackson and hosted by IMT Gallery, each session brings together case studies, creative exercises, and guided activities designed to help you think with and through your own environment.
🛖 Places are limited — the course begins 12 April.
CARROMANCY DIVINATION
WORKSHOP WITH ROSE-MARIE LUK
11 APRIL 2026
With the flickering glow of candlelight, we will convene in The House to unlock ancient wisdom and the language of the spirit. Led by multidisciplinary artist Rose-Marie Luk, this workshop invites you to explore Carromancy Divination, the timeless art of interpreting abstract forms from melted wax to access hidden messages by tapping into the subconscious, and to set personal intentions for the days ahead.
Immerse yourself in the gallery space, subtly infused with aromatic lavender to relax the mind and calm the senses. A curated experience awaits: watch as lilac wax is poured into water to create abstract forms, engage in guided sketching to capture fleeting shapes, and join in meditative reflections that draw you closer to your intuitive self.
Craft a unique talisman spell jar by combining your wax creation with foraged objects and healing crystals, imbuing it with your personal intentions for self-awareness and transformation.
Rose-Marie Luk explores her cross-cultural identity through transformative art practices that channel ancestral wisdom, evoke forgotten memories, and uncover hybrid creations. Using automatic techniques and sigil calligraphy, she bridges the sacred and the spiritual, transmuting confoundment into clarity. Rose-Marie’s practice speaks to lost languages and evolving identities, encouraging connection, growth, and self discovery.
GATHERING WANDS:
WALK AND CARVING WORKSHOP
WITH HARRI HARRISON 18 APRIL 2026
Centred on Harri Harrison’s sculptural Wands series in The House, this workshop invites a shared evening of wandering, foraging and making.
The workshop begins with a twilight walk through Victoria Park, led by multimedia artist Harri Harrison. Moving along desire paths, the group will allow themselves to wander off the obvious routes, gathering found natural materials along the way. These paths offer a subtle, gentle form of resistance, a space for slower attention and observation.
Returning to the gallery, we will gather our foraged materials and create our own wands using a combination of carving and binding techniques. The session concludes with a guided meditation and meditative drawing exercise. Together we will explore what it means to hold found natural materials, noticing how our focus shifts between objects, ourselves, and the connections they hold.
SEEING ART WITH THE WHOLE BODY
MOVEMENT WORKSHOP WITH CLAIRE LOUSSOUARN 24 MARCH 2026
In dialogue with The House, Seeing Art With The Whole Body is a movement workshop that invites participants to explore how to listen and receive an artist’s artwork and world through the three-dimensionality of our sensory bodies, moving away from an ocular-centred understanding of engaging with art.
Led by movement artist and somatic practitioner Claire Loussouarn, the workshop asks: how can we engage the whole range of our sensory machine when we come into contact with art and, in doing so, reclaim the full ability of our bodies to feel and express ourselves in response?
As well as exploring different ways of entering the artworks through movement and spatial awareness, we will attend to how bodies cross thresholds between private and public space, between being unseen and being on display, between dwelling and exhibition.
No previous movement experience is required, just curiosity and a willingness to explore.